for solo piano
The “Untitled” series explores the modal structures of Persian traditional music’s dastgâhs through solo piano improvisation. It combines these melodic modes with complex harmonic structures, establishing an interaction between modality in the melody lines and distinct tonality in the harmony. This compositional approach creates a framework where Persian musical traditions intersect with contemporary harmonic techniques.
In Untitled No. 1 in tempered Chahârgâh, the modes and melodies of the tempered Chahârgâh dastgah are paired with this harmony structure.
In Untitled No. 2 in Navâ, the Navâ dastgâh’s modes and melodies are featured, with a prepared piano.